Find Frank (and the 200 pages I scrapped)

TLDR: In sum, editing first (and second) drafts of a manuscript is all about making tough choices and sometimes you have to scrap hundreds of pages (like I did) and start over. In the words of Steven King, “Sometimes you have to kill your darlings.” Here’s how I did it:

I started writing Find Frank in July, 2013 and declared that month my NaNoWriMo (JulNoWriMo?). I had a great idea, tons of motivation, and gobs of free time. I started cranking out about five pages each day and ended up with well over 100 pages and about 55,000 words. I was thoroughly pleased with myself.

Then, I set my writing aside.

I had finished my second novel that spring (Ten Thousand Lines) and decided I wanted to return to the manuscript and start editing. So I edited…and edited…and completely neglected Find Frank.

Then, I started talking to people about my project and revealed the plot to a few close friends during a New Year’s Eve party (the plot, by the way, was loosely about Waldo (as in, the main dude from Where’s Waldo) as a paranoid schizophrenic who is being used by an organization called The White Wizard and sent on bizarre missions while tripping on mind-altering drugs…not a complicated premise at all). My friends liked the idea, but had tons of questions and, without meaning to, they began poking holes in the plot.

THESE are the kinds of friends a writer needs. I can get unadulterated praise from my mother.

After the party, I couldn’t stop thinking about the advice my friends gave me. Maybe they were right; maybe my plot was so convoluted it would be difficult to iron-out on paper. Additionally, I didn’t want to get in any hot water with Martin Handford (the creator of Where’s Waldo) and I also didn’t want to sully Waldo’s name for the millions of children who adore him (although, that was definitely a secondary concern compared to getting sued by Mr. Handford’s people).

So, I started re-thinking my idea. The re-thinking process looked something like this:

Novel Planning, Kate Bitters

I’m not sure what I would do without my gigantic pad of paper. It helps me visualize my ideas, to really scrutinize them and see if they gel. I scribbled all over the ginormous paper, connecting subplots, drawing arrows between characters, writing frazzled notes about setting, character features, and plot.

When I emerged from my planning session (which took nearly a full day, on and off), I ended up with a much better idea than the original one.

So, I began writing.

And writing.

And writing.

…And ended up with 80 pages of material I thought I liked.  In the meantime, I continued editing Ten Thousand Lines and began (unsuccessfully) shopping it around to agents. One agent said she liked the idea, but wanted me to cut my word count from 146,000 to under 120,000. So, I did. It took over a month of work and, in the meantime, Find Frank was left behind once more.

When I finally popped my head out of the mires of editing I decided to re-read Find Frank. I didn’t much care for it.

Let me rephrase: I liked the overarching plot, but the writing structure left something to be desired. I almost ignored my feelings of misgiving and plowed ahead with writing the rest of it, but I’m so glad I didn’t. Instead, I took what I had, restructured it, filled in some plot holes, and started over.

Currently, I’m 60,000 words into the story again and I’m loving it. I’ve re-read the entire thing recently and felt much more comfortable with the structure and plot flow. The book is far from complete (I still have about 25,000 words left to write, and then I’m going to edit/workshop/revise the shit out of it).

The main take-away? Editing is not for the faint of heart.

It takes tons of chutzpah to sift through your words (your lovingly selected, carefully planned metaphors and dialogue) and slash them to bits. But you have to do it and, believe me, your story will evolve and grow stronger each time you do.

Good luck out there.

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Editing and need some extra help? I do that. Please contact me through my website.
And high-fives to you for taking that first scary step!
-Kate

Author: KateBitters

Kate Bitters is a Minneapolis-based author and freelance writer. She is the author of Elmer Left, Ten Thousand Lines, and He Found Me. One of her proudest/nerdiest moments was when Neil Gaiman read one of her short stories on stage at the Fitzgerald Theater.